-
Sara Siestreem (Hanis Coos)
feast with my ancestors, 2024
slip cast ceramic basket, acrylic paint, and Xerox transfer
8.75 x 8.25 x 8"
-
Sara Siestreem (Hanis Coos)first roots of the year, North Spit, Jordan Cove, 2019acrylic, wax pencil & graphite on paper71 x 42" paper
76 x 47" framed -
Sara Siestreem (Hanis Coos)mint, 2017-2022Spruce Root (Jordan Cove), Sedge (Umpqua) with glazed slip cast ceramic dance cap14 x 12 x 12"
-
Sara Siestreem (Hanis Coos)skyline, 2024seven glazed slip cast ceramic baskets with goldinstallation: 8.75 x 81 x 8"
each 8.75 x 8.25 x 8"Edition 2/3, 2 AP -
Sara Siestreem (Hanis Coos)love will keep us together kindling basket, 2020-2024Red Cedar Bark (Beaverton), Sedge (Umpqua River)10 x 8.5 x 8.5"
-
Sara Siestreem (Hanis Coos)dance apron, 2025acrylic, graphite, color pencil, Xerox transfer on panel boards80 x 200"
-
Sara Siestreem (Hanis Coos)starry-starry-night, over a temporary régime, 2025acrylic, graphite, color pencil, Xerox transfer on panel boards80 x 200"
-
Sara Siestreem (Hanis Coos)blue skies smilin' at me, 2025glazed slip cast ceramic dance cap with gold, Czech White Heart beads5 of 5, 2 APs
-
Sara Siestreem (Hanis Coos)Eagle Machine: dancing - - - - - - - the beautiful, 2017acrylic, graphite, Xerox transfer on panel, Cotton Wood Bark (Wapato Island, OR) woven dance skirt120 x 120"
-
Sara Siestreem (Hanis Coos)Aretha Franklin (reigns supreme)1942-2018, 2016-2018Ceremonial Dance Cap Yellow Cedar Bark (Katmai) gifted by Vickie Era (Alutiiq), Red Cedar Bark (Okwunalis) gifted by Marianne Nicolson (Dzawada'enuxw), Sweet Grass (Columbia River), Blackberry Dye (Columbia River), Dentalium (Philippines), Abalone (Pacific), White Heart Glass Beads (Africa)5 x 8 x 6"
Sara Siestreem (Hanis Coos)
feast with my ancestors, 2024
slip cast ceramic basket, acrylic paint, and Xerox transfer
8.75 x 8.25 x 8"
Sara Siestreem (Hanis Coos)'s solo exhibition, Sara Siestreem: Acts of Love, Refusal, and Resistance, is currently on view at the Missoula Art Museum (MAM). Featuring ceramics, paintings and baskets in natural materials, the show's title is drawn from the artist's description of her work, pieces that “safeguard their own stories [as] an act of love, refusal, and resistance.”
From the works in this exhibition, MAM acquired Siestreem's ceramic basket, feast with my ancestors, for their permanent collection.
