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Installation view of the exhibition, Sense -
Sense is contact, is the touch of human and non-human animals, is the fold of woven cloth, is words in fragments and in woven lines and like all making comes from acts of attentions, both finding and composing, touching and being touched.
– ANN HAMILTON
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Installation view of the exhibition, Sense
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Ann Hamilton
sense · ceramic pitcher sense · ceramic pitcher, 2022archival pigment print on Japanese gampi paper
49.5 x 32" image each
67.5 x 33.5" paper each
Variable Edition of 2, 1AP -
Ann Hamilton
sense · net sinkers, 2022archival pigment print on Japanese gampi paper
49.5 x 32" image
67.5 x 33.5" paper
Variable Edition of 2, 1AP -
Ann Hamilton
sense · study skin of a puffin, 2022archival pigment print on Japanese gampi paper
49.5 x 32" image
67.5 x 33.5" paper
Variable Edition of 2, 1AP -
Ann Hamilton
sense · tulip polar leaf, 2022archival pigment print on Japanese gampi paper
49.5 x 32" image
67.5 x 33.5" paper
Variable Edition of 2, 1AP
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Interior view of the book SENSE: Ann Hamilton
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Installation view of the exhibition, Sense
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Installation view of the exhibition, Sense
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Ann Hamilton
sense · study skins of lesser roadrunners sense · study skins of lesser roadrunners, 2022archival pigment print on Japanese gampi paper
49.5 x 32" image each
67.5 x 33.5" paper each
Variable Edition of 2, 1AP -
Ann Hamilton
sense · lily and stem, 2022archival pigment print on Japanese gampi paper
49.5 x 32" image
67.5 x 33.5" paper
Variable Edition of 2, 1AP
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Side-by-Side · Ivory Figurine l, 2018archival pigment print on gampi paper, cloth backed78.75 x 102"
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Hamilton’s practice has long explored the relation between text and textile and the interior second gallery exhibits her more intimate collage work and ongoing series *pages*. In these new diptychs and triptychs the color, opacity and transparency of cloth fragments meets the abstractness of language sifted from loose fragments of sliced books, themselves the residue of another project. Mounted to book endpapers, these singular words and phrases, the textile’s imperfect geometric shapes, and the delicately unraveled threads are simultaneously commonplace and lyric.
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Installation images of Hamilton’s book endpaper collages
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Collected word cut-outs from books, used in the book endpaper collages. Image provide by the artist.
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complete in itself · here · untitled, 2022unique cloth and word collage on book endpapers8 x 5" paper (each)
18.5 x 31" framed overall -
Ann Hamilton
sense · study skin of an albino American crow, 2022 and sense · chinquapin oak, 2022 (installation view)
archival pigment print on Japanese gampi paper
49.5 x 32" image each, 67.5 x 33.5" paper each, 113.5 x 34" installed each
Variable Edition of 2, 1AP -
sense · study skin of a sandpipersense · study skin of a sandpiper, 2022archival pigment print on Japanese gampi paper49.5 x 32" image each
67.5 x 33.5" paper each -
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concordance, 2022generated from essay contributions to Emergence Magazine Vol. 3, folded newsprint24 x 18"
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Installation view of the exhibition, Sense.
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distance · cold, 2022unique cloth and word collage on book endpapers8 x 5" paper (each)
18.5 x 17.5" framed overall -
Learn more about Sense in this exclusive video interview with Ann Hamilton.
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Ann Hamilton is internationally recognized for her large-scale multimedia installations. Using time as process and material, her methods of making serve as an invocation of place, collective voice, communities past and of labor present. Among her many honors, Hamilton has been the recipient of the National Medal for the Arts, the MacArthur Fellowship, United States Artists Fellowship, NEA Visual Arts Fellowship, and the Guggenheim Memorial Fellowship. Hamilton represented the United States in the 1999 Venice Biennale, and has exhibited extensively around the world including a museum-wide installation at the Henry Art Gallery (Seattle, WA) in 2015 and 1992. Her work is included in the collections of the Cincinnati Art Museum (Cincinnati, OH), Hirshhorn Museum and Sculpture Garden (Washington, DC), Los Angeles County Museum of Art (Los Angeles, CA) and the Metropolitan Museum of Art (New York, NY), among many others.
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Ann Hamilton: Sense
Past viewing_room
