Artworks

  • Willy Heeks, Poet, 2023
    Poet, 2023
    oil and acrylic on canvas
    46 x 44"
  • Jinie Park, Reflection, 2023
    Reflection, 2023
    acrylic on sewn Kwangmok (Korean muslin)
    16 x 12"
  • Matthew Picton, Roma #1, 2023
    Roma #1, 2023
    hand cut archival pigment print assemblage
    52 x 39"
  • Matthew Picton, Roma #2, 2023
    Roma #2, 2023
    hand cut archival pigment print assemblage
    65 x 44"
  • Matthew Picton, Roma Antica, 2023
    Roma Antica, 2023
    hand cut archival pigment print assemblage
    48 x 88"
  • Sean Healy, Sad Bear, 2023
    Sad Bear, 2023
    graphite on paper
    26 x 19.5" paper
    28.5 x 22.5" framed
  • Pat Boas, Saturday Painting #20 (plus blue), 2023
    Saturday Painting #20 (plus blue), 2023
    Flashe and acrylic on panel
    13 x 9"
  • Matthew Picton, Satyricon #1, 2023
    Satyricon #1, 2023
    hand cut archival pigment print assemblage
    39 x 49"
  • Jinie Park, Shallow Water, 2023
    Shallow Water, 2023
    acrylic on sewn Kwangmok (Korean muslin)
    14 x 11"
  • Pat Boas, SL3, 2023
    SL3, 2023
    Flashe on canvas over panel
    24 x 22"
  • Willy Heeks, Sounding, 2023
    Sounding, 2023
    oil and acrylic on canvas
    70 x 67"
  • Lonnie Holley, The Blazing Cross, 2023
    The Blazing Cross, 2023
    spray paint on paper
    30 x 22.5" paper
    36.25 x 28" framed
  • Vo Vo, The Seat, 2023
    The Seat, 2023
    cotton, wool
    33 x 59"
  • Lonnie Holley, The Sound and the Sea (Moved by the Waves), 2023
    The Sound and the Sea (Moved by the Waves), 2023
    acrylic, gesso, oil stick and spray paint on canvas
    60 x 48"
  • Malia Jensen, Tide Table (sandy), 2023
    Tide Table (sandy), 2023
    salt-fired ceramic, salvage-logged oak, wood laminate
    43.5 x 17 x 20"
  • Sean Healy, Turf War, 2023
    Turf War, 2023
    cigarette packaging, ink, resin, gromets
    dimensions variable
  • Sean Healy, Turf War 1, 2023
    Turf War 1, 2023
    cigarette packaging, ink, resin, gromet
    dimensions variable
  • Jinie Park, Two Pieces, 2023
    Two Pieces, 2023
    acrylic on sewn Kwangmok (Korean muslin)
    14 x 11"
  • Malia Jensen, Untitled (spots), 2023
    Untitled (spots), 2023
    glazed ceramic, deodar cedar, pigment dyed silk, palmyra bristle
    24 x 15 x 17"
  • Willy Heeks, Verlaine, 2023
    Verlaine, 2023
    oil and acrylic on canvas
    50 x 52"
  • Stephen Hayes, Wappatoo, 2023
    Wappatoo, 2023
    oil on canvas on panel
    45.5 x 50"
  • Lonnie Holley, Who Gave the Orders?, 2023
    Who Gave the Orders?, 2023
    spray paint on paper
    29.75 x 22.5"
  • Willy Heeks, Within Reach, 2023
    Within Reach, 2023
    oil and acrylic on canvas
    62 x 60"
  • Malia Jensen, Yard Birds, 2023
    Yard Birds, 2023
    bronze (piped for water)
    42 x 23 x 22"
  • Ryan Pierce, Beargrass, 2022-24
    Beargrass, 2022-24
    Flashe, ink and spray paint on canvas over panel
    46 x 42"
  • Sean Healy, Baby Bear, 2022
    Baby Bear, 2022
    marine plywood and paint
    63 x 42 x .5"
  • Sean Healy, Baby's Teeth, 2022
    Baby's Teeth, 2022
    teeth, epoxy, stainless steel, 3D printed PLA
    2.25 x 68 x 7.25"
  • Amanda Wojick, blue white strands, 2022
    blue white strands, 2022
    gouache on paper
    12 x 9" paper
    15 x 12" framed
  • Dinh Q. Lê, Cambodia Reamker #20, 2022
    Cambodia Reamker #20, 2022
    Epson inkjet print on Epson double weight matte paper, acid free double sided tape and PH-neutral linen book tape
    64.5 x 43.5"
    71.5 x 50 x 3" framed
  • Amanda Wojick, double panel, purple, 2022
    double panel, purple, 2022
    steel, paint and mulberry paper
    40 x 31 x 2"
  • Sean Healy, Egg's Nest, 2022
    Egg's Nest, 2022
    graphite on paper
    42.25 x 57" paper
    43.5 x 63.5"
  • Amanda Wojick, green, 2022
    green, 2022
    powder coated steel
    13.75 x 10.5"
  • Shane McAdams, Seed and Needles, 2022
    Seed and Needles, 2022
    oil on canvas over panel
    40 x 60"
  • Ann Hamilton, sense · ceramic pitcher sense · ceramic pitcher, 2022
    sense · ceramic pitcher sense · ceramic pitcher, 2022
    archival pigment print on Japanese gampi paper
    49.5 x 32" image each
    67.5 x 33.5" paper each
  • Amanda Wojick, single panel, radial, 2022
    single panel, radial, 2022
    steel and paint
    36 x 26"
  • Amanda Wojick, small black #2, 2022
    small black #2, 2022
    steel, paint and mulberry paper
    8.5 x 14"
  • Ann Hamilton, somehow happy · untitled, 2022
    somehow happy · untitled, 2022
    unique cloth and word collage on book endpapers
    8 x 5" paper (each)
    18.5 x 17.5" framed overall
  • Shane McAdams, Sweater Hike, 2022
    Sweater Hike, 2022
    oil on canvas over panel
    48 x 36"
  • Nicola López, Transformers - Sisyphys, 2022
    Transformers - Sisyphys, 2022
    graphite on paper
    40 x 40" paper
  • Chris Chandler, AB014, 2021
    AB014, 2021
    monotype relief print mounted on panel
    96 x 48"
  • Gregg Renfrow, About the Weather Last Night, 2021
    About the Weather Last Night, 2021
    polymer and pigment on cast acrylic
    48 x 36"
  • Gregg Renfrow, Apprehension of Beauty, 2021
    Apprehension of Beauty, 2021
    polymer and pigment on cast acrylic
    60 x 48"
  • Amanda Wojick, Bandaid Waterfall, Salem, 2021
    Bandaid Waterfall, Salem, 2021
    Mixed media on paper
    22 x 30" paper
    26 x 34" framed
  • Malia Jensen, I'm Fine, 2021
    I'm Fine, 2021
    chrome chair frame, carved brick
    33 x 21 x 19"
  • Christopher Rauschenberg, Malia Jensen, Andrew Haley at Marine Art Works, Malia Jensen, 2021
    Malia Jensen, Andrew Haley at Marine Art Works, Malia Jensen, 2021
    pigment inkjet print
    18 x 36" image
    26 x 44" framed
  • Dinh Q. Lê, Monuments and Memorials 7, 2021
    Monuments and Memorials 7, 2021
    c-prints and linen tape
    43 x 64.5" unframed
    49.5 x 71" framed
  • Anna Von Mertens, Objects (100 Emojis), 2021
    Objects (100 Emojis), 2021
    colored pencil on paper
    39 x 51" framed
  • Lonnie Holley, Out of the Blues, 2021
    Out of the Blues, 2021
    spray paint on paper
    30 x 22.5"
  • Ryan Pierce, Pale Thrum, 2021
    Pale Thrum, 2021
    Flashe and spray paint on canvas over panel
    24 x 24"
  • Christopher Rauschenberg, Portland Open Studios, Malia Jensen, 2021
    Portland Open Studios, Malia Jensen, 2021
    pigment inkjet print
    18 x 24" image
    26 x 35" framed
  • Gregg Renfrow, Ray of a Ray of a Ray, 2021
    Ray of a Ray of a Ray, 2021
    polymer and pigment on cast acrylic
    18.5 x 12"
  • Ryan Pierce, Some Touch, 2021
    Some Touch, 2021
    Flashe and spray paint on canvas over panel
    24 x 24"
  • Matthew Picton, The Age of Kali, 2021
    The Age of Kali, 2021
    hand cut and altered archival pigment print
    52 x 39" framed
  • Ryan Pierce, The Fixer, 2021
    The Fixer, 2021
    Flashe and spray paint on canvas over panel
    46 x 34"
  • Jinie Park, Tide, 2021
    Tide, 2021
    acrylic on sewn Kwangmok (Korean muslin), cheesecloth and wooden frame
    36.5 x 36.5"
  • Lee Kelly, Unicycle Variation, 2021
    Unicycle Variation, 2021
    Cor-ten steel
    124 x 32 x 12"
    base: 30 x 30"
  • Julia Mangold, Untitled, 2021-0109, 2021
    Untitled, 2021-0109, 2021
    graphite pigment in wax on paper
    41 x 29.5" paper
  • Nicola López, UnWild 2, 2021
    UnWild 2, 2021
    cyanotype on paper
    30 x 22" paper
    34.25 x 25.75" framed
  • Nicola López, UnWild 4, 2021
    UnWild 4, 2021
    cyanotype on paper
    22 x 30" paper
    25.75 x 34.25" framed
  • Nicola López, UnWild 5, 2021
    UnWild 5, 2021
    cyanotype on paper
    22 x 22" paper
    26 x 26" framed
  • Gregg Renfrow, Witness, 2021
    Witness, 2021
    polymer and pigment on cast acrylic
    20 x 18"
  • Stephen Hayes, Albuquerque, NM 12-25-19, 2020
    Albuquerque, NM 12-25-19, 2020
    oil on canvas over panel
    45.5 x 50"
  • Melody Owen, Blooming Through The Seams, 2020
    Blooming Through The Seams, 2020
    collage
    11.25 x 8.25" paper
    14.25 x 11.25" framed
  • Claire Cowie, Comfort Blanket No. 11, 2020
    Comfort Blanket No. 11, 2020
    cotton
    34 x 47"
  • Mark R. Smith, Complex Dome ll, 2020
    Complex Dome ll, 2020
    reclaimed textiles on translucent paper
    24 x 27"
  • Malia Jensen, Foot, 2020
    Foot, 2020
    kiln-cast glass, etching ink, white oak, reclaimed fir
    8 x 13.5 x 11.5"
  • Michelle Ross, Standard Study S11, 2020
    Standard Study S11, 2020
    acrylic, oil and graphite on Arches paper
    9 x 12" paper
  • Michelle Ross, Standard Study S12, 2020
    Standard Study S12, 2020
    acrylic, oil and graphite on Arches paper
    9 x 12" paper
  • Michelle Ross, Standard Study S13, 2020
    Standard Study S13, 2020
    acrylic, oil and graphite on Arches paper
    9 x 12" paper
  • Michelle Ross, Standard Study S14, 2020
    Standard Study S14, 2020
    acrylic, oil and graphite on Arches paper
    9 x 12" paper
  • Michelle Ross, Standard Study S17, 2020
    Standard Study S17, 2020
    acrylic, oil and graphite on Arches paper
    9 x 12" paper
  • Michelle Ross, Standard Study S22, 2020
    Standard Study S22, 2020
    acrylic, oil and graphite on Arches paper
    9 x 12" paper
  • Michelle Ross, Standard Study S23, 2020
    Standard Study S23, 2020
    acrylic, oil and graphite on Arches paper
    9 x 12" paper
  • Mark R. Smith, Sutured Circle, 2020
    Sutured Circle, 2020
    reclaimed textiles on wood panel
    60" diameter
  • Mark R. Smith, Sutured Diamond, 2020
    Sutured Diamond, 2020
    reclaimed textiles on wood panel
    59" diagonal
  • Mark R. Smith, Sutured Square, 2020
    Sutured Square, 2020
    reclaimed textiles on wood panel
    60 x 60"
  • Ryan Pierce, The Fugitive, 2020
    The Fugitive, 2020
    Flashe and spray paint on canvas over panel
    47 x 60"
  • Mark R. Smith, The Northern Crown, 2020
    The Northern Crown, 2020
    reclaimed textiles on wood panels
    96 x 120" overall
  • Julia Mangold, Untitled, 2020-0506, 2020
    Untitled, 2020-0506, 2020
    graphite pigment in wax on paper
    41 x 29.5" paper
  • Chris Chandler, AB011, 2019
    AB011, 2019
    monotype relief print mounted on panel
    48 x 48"
Page
 2 
of 6